I’ve been back from Brazil almost a week and have been reflecting on my experiences there. Time for a wrap-up post!
I (rather reluctantly) left Boiçucanga about ten days before I went home – this was because the residency actually officially started a week before I came (with short notice I had to come later!). So I took the bus to Sao Paulo and hung out with the artists I’d met in the beautiful spot by the sea in their city – there I saw the bustling streets, high-rises, graffiti, buses and underground, restaurants, bars, art galleries (MASP was a highlight), and their homes. The video of translations and original versions of my work was broadcast at a gallery opening, which was, quite frankly, mindblowing. People were so incredibly generous to me, and I felt that I didn’t have enough time to give everyone their due. Huge thanks in particular to Lourdina, the residency founder, for her kindness, and to Bea, for putting me up for so long.
While I’d had warnings that Sao Paulo was dirty and stressful with little to attract tourists, my experience was so personalised that I couldn’t help but see the sunny side of things. I managed to do less work than I’d have liked, since my laptop succumbed to the blue screen of death for reasons unknown early into the Sao Paulo stint. But I took a lot of photographs, some of which I hope to share on Twitter and other places.
I’m home now, and as I thought, have a lot to think about regarding my time. I started work on a poetry collection while there – I’ve had a few poems published over the years, but have never really felt like I had a whole collection in me, until now. It’s exciting and challenging to approach it. They are poems about Brazil, about Boiçucanga and my time there. There are possibilities of working with a translator and getting in touch with Brazilian publishers about the finished work, and ideally I would like to return to the country for further research. I’m working too on a project to build a connection between Scotland and Brazil for visiting and local artists and writers, though it’s at a very tender stage, with much research still to be done on the practical points. I hope it will bring good things for many people.
So, at the end of all this, I think back to the point where it started – where I realised I could actually make it. Massive thanks to Kaaysa for hosting me, and biggest of all to The Saltire Society and the Society of Authors for providing the funding – at great speed, as was needed – to make it happen. Thank you for everything. The effects are ongoing, and I will feel them in my work, possibly forever.