Ahead of the novel’s launch this Thursday are these reviews to whet your appetite.
“It is one thing to establish a sense of place – to evoke, rather than merely describe – but far more to summon impressions of the lives which occupy that place, along with the ways one may embody and change the other.
Doing so with aplomb is the first great accomplishment of Helen McClory’s second novel Bitterhall, the chief setting of which – the shared flat in which our three unreliable narrators move in and out of each other’s personal orbits – quickly becomes a self-contained, claustrophobic demi-monde, almost as key to the story as the mysterious 19th-century diary which motivates so much of the plot. “
The Herald
a novel playfully alert to ideas of authenticity, possession and the malleable nature of narrative
the Daily Mail
Told in McClory’s rangy, poetic prose, Bitterhall just works. Beautifully. This is no narrative Cerberus — McClory has everything under control. In fact, by the time you find yourself reviewing previous events, scouting out their earlier appearances for clues or hints, not lost but dizzied, the sense of adventure is overwhelming. All of this is done with not just brio but a winning sense of irony: punch the air as you note that a key chapter, written from Daniel’s point of view and re-told later by Orla, is titled ‘Thematic Continuity.’
Lunate Fiction
I hope you can come to the launch. It is virtual, hosted by Eris Young at the wonderful Lighthouse Books, and in buying a (v cheap) ticket or buying the book from them, you’ll be supporting an indie bookshop in a time of need. It’s also going to be an oorie, atmospheric evening which you may, if your tastes are that way, enjoy.