Over the course of a few months, I was interviewed for Splice. You can now read the whole thing, if you’d like here.
Helen McClory is a prolific writer of flash fiction and short stories, as well as a novelist and an advocate for overlooked works of literature. In reviewing her two story collections for Splice, Daniel Davis Wood called McClory a “distinctive” writer who “survey[s] the stuff of folklore and mythology and weav[es] it into serious fiction with vivid imagery and poetic flair”. Throughout the summer of 2018, following the publication of her most recent collection, Mayhem & Death, Helen McClory generously set aside time to talk to Splice about her work, her interest in different literary forms, and her plans for the future
Wood also reviewed both On the Edges of Vision and Mayhem & Death here.
One of my pieces, “It Seemed Impossible it Could Ever Begin” was one Fictive Dream’s September Slam flashes.
Another apocalyptic story of mine, “A Quiet, Important Thing”, is up on Minor Literatures.
Here’s an interview with me on writing, darkness, little fish and knife fighting in the afterlife:
You’re now published by one of the most exciting indie presses around, 404 Ink – how do you think the rise of micro presses like this have changed the literary landscape, and what has it meant for you as a writer?
I think small presses have made it possible for the literary scene to be more diverse than it would otherwise be – they are like little rockpools carved out by hand, full of life…
read the full thing here
A kind, sharp review of Mayhem & Death appeared on the Never Imitate blog:
Deep within the bowels of her carefully chosen words, reflections of the ordinary are made dark, lonely, threatening. However inspiring the view on the surface of an individual’s life may be, under McClory’s piercing gaze its desolate depths are revealed.
This is, the reviewer says, a good thing. Read the rest here.